INDICATORS ON EXCLUSIVE EXTRACTS 0 27 YOU SHOULD KNOW

Notions of looking and voyeurism are addressed spatially and architecturally in “Great For Me.” Within this sequence, swooping strains make a form of peephole outcome that reveals Mundt in two diverse poses: adopting the posture of Toulouse-Lautrec’s model and tugging at her belly. This gesture, which seems in other paintings in the exhibitio